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S3L System Guide284
Stage 16 Audio Specifications
Stage 16 Analog Mic Inputs, Pad Disabled
Parameter Conditions
Value
Units
Min. Typ. Max.
Phantom Power
48 Volts
Input Sensitivity @ 997 Hz, Gain = 10 dB (min.)
+7.966 dBu
Equivalent Input Noise (EIN) Gain = 60 dB, 150 source impedance
-124.5 dB
Frequency Response
V
INPUT
= -12.035 dBu, 20 Hz – 20 kHz relative to
1 kHz, Gain = 10 dB (min.)
-0.068 0 -0.559 dB
Dynamic Range Unweighted 150 source impedance, Gain = 10 dB (min.)
-108.2 dB
Dynamic Range A weighted 150 source impedance, Gain = 10 dB (min.)
-110.9 dB
THD + N Amp @ 997Hz, Gain = 40 dB
0.0034 %
THD + N Freq
measured at -25.242 dBu, 20 Hz – 20 kHz,
Gain = 40 dB
0.0025 0.0034 0.0038 %
Common Mode Rejection
Ratio
V
INPUT
= -21.560 dBu, 20 Hz – 20 kHz,
Gain = 10 dB (min.)
-72.1 -83.7 -84.4 dB
Inter-Channel Crosstalk
V
INPUT
= -12.150 dBu, 20 Hz – 20 kHz,
Gain = 10 dB (min)
-115.5 -106.5 -95.6 dB
Input Impedance @1 kHz
3.4K ohms
Stage 16 Analog Mic Inputs, Pad Enabled
Parameter Conditions
Value
Units
Min. Typ. Max.
Phantom Power
48
Volts
Input Sensitivity
@ 997 Hz, Gain = 10 dB (min.)
+28.218
dBu
Frequency Response V
INPUT
=+8.225 dBu, 20 Hz – 20 kHz relative to
1 kHz, Gain = 10 dB (min.)
-0.062 0 -0.874
dB
Dynamic Range Unweighted
150 source impedance, Gain = 10 dB (min.)
-108.1
dB
Dynamic Range A weighted
150 source impedance, Gain = 10 dB (min.)
-110.7
dB
THD + N Amp @ 997Hz, Gain =40 dB
0.0052
%
THD + N Freq measured at -3.808 dBu, 20 Hz – 20 kHz,
Gain = 40 dB
0.0036 0.0052 0.0060
%
Common Mode Rejection Ratio V
INPUT
= -1.276 dBu, 20 Hz – 20 kHz,
Gain = 20 dB
-62.9 -63.1 -63.6
dB
Inter-channel Crosstalk V
INPUT
= +8.233 dBu, 20 Hz – 20 kHz,
Gain = 10 dB (min.)
-122.9 -106.9 -95.2
dB
Input Impedance @1 kHz
3.7k
ohms
- S3L System Guide 1
- Legal Notices 2
- Safety Compliance 3
- Contents 4
- S3L System Guidevi 5
- Contents vii 6
- Part V Shows 7
- Contents ix 8
- S3L System Guidex 9
- Contents xi 10
- Part I: Overview 11
- 1234 567 8 12
- S3L System Processing 13
- S3Control Surface 13
- E3 Engine 13
- Stage 16 14
- Power Supply Units (PSUs) 14
- S3 Control Surface 14
- Operational Requirements 16
- Connection Requirements 16
- System Requirements and 16
- Compatibility 16
- SHIFT and SHIFT Lock 17
- How to Use this PDF Guide 18
- Components 19
- S3L System Guide10 20
- Connecting Power 22
- Connecting Peripherals 23
- Connecting the S3L System 23
- S3L System Guide14 24
- AES OUTPUT 25
- AES INPUT 25
- Powering Up the System 26
- S3L System Guide18 28
- How to Proceed 29
- Managing Stage I/O 30
- S3 control surface back panel 31
- To make MIDI connections: 32
- E3 engine back panel 32
- Interior Secure USB Port 33
- Front Panel USB Port 33
- Stage 16 Audio Connections 34
- Switches, and Indicators 34
- Options > System tab 35
- Part II: Description 36
- A - Channel Section 37
- B - Channel Control 37
- C - Global Controls 37
- Channel Strips 38
- Assignable Channel Encoders 39
- Channel Displays 39
- Fader Banking Controls 40
- Multi-Assign, OK, and Cancel 41
- Channel Control Encoders 42
- Channel Control Displays 43
- Global Control Encoders 44
- View Mode Switches 45
- Function Switches 46
- Monitoring Switches 46
- Touch Strip 46
- Global Modifiers 47
- Software Screen Overview 48
- Overview of Software Pages 49
- Plug-In page 50
- Banking Channels 51
- Thrshold 52
- Selecting Channels On-Screen 53
- Screen Controls 54
- Screen Shortcuts 55
- Selected Stereo Strip Mono 56
- Move Selected Strip 56
- Insert Blank Strip 56
- To remove a blank strip: 57
- To remove all blank strips: 57
- Type Text Search 58
- Chapter 5: Channel Control 59
- Lo Gain Lo Freq 60
- Lo Gain 61
- User Assignment 62
- Chapter 5: Channel Control 55 63
- Chapter 6: Options 64
- System Configuration Settings 65
- Input Channel Source Settings 65
- Main Busses 65
- Bus Configuration Settings 65
- System Information Export 65
- System Lock 66
- Pickoffs 68
- Snapshot General Preferences 69
- Aux Mon and Aux FX 69
- MTC (MIDI Time Code) 69
- To customize Pointer Speed: 70
- Misc tab of the Options page 70
- Interaction 71
- Input Safe Switches 72
- Ethernet Control 72
- Displays 72
- Identifying Stage 16 73
- Muting Stage 16 Outputs 73
- Part III: Signal Routing 75
- Configuring Inputs 76
- Naming Input Channels 77
- Splitting Stereo Channels 78
- S3L System Guide74 79
- Inputs from Pro Tools 80
- Channels 80
- Oscillator 80
- S3L System Guide76 81
- Assigning Inputs to VCAs 82
- Input Gain 82
- 20 dB Pad 83
- 48V (Phantom Power) 84
- Pan/Balance 84
- S3L System Guide80 85
- Using Input Direct 88
- Input Channel Presets 89
- Channel Compatibility 90
- Management.” 90
- Variable Groups 91
- Configuring the Main Busses 92
- Naming Output Channels 92
- Using Inserts on Outputs 95
- S3L System Guide92 96
- Adjusting the Mains 97
- Monitors Mains 98
- Direct Outputs 99
- Adjusting Direct Outputs 100
- Direct Output Pickoff Points 100
- Selected Channel 101
- Inputs and Outputs Pages 101
- Options > Interaction 101
- Contribution 101
- Managing Bus Assignments 102
- Resetting Bus Assignments 103
- Chapter 9: Groups 104
- Group Output Solo 105
- Group Output Mute 105
- Group Bus Output Pan 105
- Group Bus Signal Flow Options 106
- Configuration 107
- 3 Click Edit 108
- 5 Click Apply 108
- Pickoff Points 109
- Slots” on page 170 110
- Send Controls 111
- Aux 1 112
- Aux 2 Aux 3 112
- Adjusting Stereo Sends 113
- On-Screen Send Controls 113
- Parameters 114
- S3L System Guide112 115
- Chapter 11: Matrix Mixers 116
- Configuring Matrix Mixers 117
- Settings 118
- Relinking and Offsets 118
- Configuring User Inputs 119
- Matrix Input Level 120
- Matrix Mixer Input Pan 120
- Controls 121
- Matrix Mixers 122
- Chapter 12: Patchbay 123
- Stage I/O 124
- Pro Tools I/O 124
- Pro Tools hardware tabs 124
- Navigating the Patchbay 125
- Assign in the 126
- Channel or FX Return 127
- Outputs in the Patchbay 128
- Patch List Export 128
- Information 129
- Selecting a Solo Mode 130
- Auxes Follow AFL 131
- AFL Follows Auxes 131
- Mix to Monitors 131
- Using Solo 132
- Solo Safing Channels 133
- Using the Monitor Bus 134
- Using Talkback 136
- Using 2-Track Inputs 137
- When Loading Shows 137
- Muting Channels 138
- Using Mute Groups 138
- Switches 139
- Mute Groups and VCAs 140
- Disabling Mute Groups 141
- Part V: Processing 142
- Chapter 15: Dynamics 143
- Built-In Exp/Gate 144
- Adjusting Dynamics Plug-Ins 145
- Input Direct Mode 146
- On-Screen Dynamics Controls 146
- Dynamics Settings and Presets 147
- Using the Sidechain 148
- Using Sidechain EQ Filters 149
- Key Listen 149
- Comp/Lim Parameter Mapping 150
- Exp/Gate Parameter Mapping 150
- Comp/Lim Defaults and Ranges 150
- Exp/Gate Defaults and Ranges 150
- Chapter 16: EQ 151
- Built-In EQ Parameters 152
- Adjusting EQ 153
- S3L System Guide154 154
- On-Screen EQ Controls 155
- Adjusting EQ Plug-Ins 156
- Graphic EQ for Outputs 156
- EQ Settings and Presets 157
- 4-Band EQ Presets window 158
- Chapter 16: EQ 159 159
- Chapter 17: Plug-Ins 160
- Installing Plug-Ins 161
- Installing Plug-Ins Manually 162
- (www.avid.com) 163
- Plug-in Version Checker 164
- USB Ports for iLoks 164
- Plug-In Racks 165
- “Jump To” Plug-Ins 166
- Pinning a Plug-In View 166
- Identifying Rack Slots 167
- Plug-Ins 167
- Rack Slot Controls 168
- Plug-In Formats (Mono/Stereo) 169
- Moving and Copying Plug-Ins 169
- Routing Plug-Ins 170
- Plug-Ins page 171
- Adjusting Plug-Ins 172
- Bypassing Plug-Ins 173
- Plug-In Presets and Snapshots 174
- 1 Go to Options > Devices 175
- Chapter 18: Hardware Inserts 176
- Reassigning Hardware Inserts 177
- Part VI: Shows 178
- Creating Shows 179
- Loading a Show 180
- Working with Presets 181
- Preset Files 182
- Presets 183
- Loading an Auto-Saved Show 184
- Chapter 20: Snapshots 185
- Main and Recall Safe Tabs 186
- Snapshots List 186
- Snapshot Command Buttons 187
- Snapshot Scope Controls 188
- Channel Scope Controls 188
- Snapshot Status Display 189
- Creating Snapshots 190
- Recalling Snapshots 191
- Recall Safe 192
- Parameter Matrix Grid Icons 193
- Channel Safe Controls 193
- Using Recall Safe 194
- Using Scope Sets 195
- Automation Safe 196
- Managing Snapshots 196
- Locking Snapshots 197
- Clearing Snapshots 197
- Duplicating Snapshots 198
- Deleting Snapshots 198
- Moving Snapshots 198
- Importing Snapshots 198
- Making Changes to Snapshots 199
- Preview Mode 200
- Undo and Preview Mode 201
- Undoing Snapshot Commands 203
- Disabling Snapshots 203
- Adding MIDI Data to Snapshots 204
- Safing MIDI Message Output 205
- Adding Plug-Ins to Snapshots 205
- Editing Plug-Ins 206
- Chapter 20: Snapshots 209 207
- Snapshot Options 208
- Pre Settings 209
- Classifying Aux Sends 209
- S3L System Guide212 210
- Chapter 21: Events 211
- The Events Tab 212
- Event List 213
- Triggers 213
- Footswitch Status Display 214
- GPI I/O Stats Display 214
- Creating Events 215
- Enabling and Disabling Events 216
- Creating Triggers 217
- Editing Triggers 218
- Selecting Triggers 218
- Duplicating Triggers 218
- Deleting Triggers 218
- Creating Actions 219
- Testing Events 220
- Resetting Events 220
- Avoid Feedback Loops 221
- Default Events 222
- Templates 222
- Tap Tempo for Plug-ins 223
- Tips for Using Tap Tempo 224
- Snapshots and Tempo Sync 224
- Trigger Types 225
- Action Types 226
- Table 7. Action types 227
- Flip Channel Encoder 228
- Chapter 22: Synchronization 229
- Snapshots 230
- Chasing MIDI Time Code 231
- Snapshots tab 232
- Conversion 233
- Software and a VENUE System 234
- System Requirements 234
- VENUE System 235
- Patchbay Information 236
- USB Flash Drive Requirements 238
- Media Page 238
- Playback 239
- Selecting Tracks 240
- Click the item 240
- Shift-click the items 240
- Transport Controls 241
- Transport Display 241
- Playback Mode Buttons 241
- Recording Audio to USB 242
- Initiating the Recording 243
- Playing Back Audio from USB 244
- Adding Tracks to the Playlist 245
- Setting the Play Mode 245
- Engaging Playback 245
- Managing USB Audio 246
- Commands 247
- Using Events to Trigger USB 248
- Transport Commands 248
- S3L System Guide254 249
- Capabilities and Features 250
- Pro Tools Compatibility 250
- Pro Tools Recording Outputs 251
- Pro Tools Playback Inputs 251
- VENUE Link 251
- Installing Pro Tools 252
- Connecting to Pro Tools 253
- Using Virtual Soundcheck 254
- Returning to Stage Inputs 255
- Soundcheck Inputs 256
- S3L System Guide262 257
- Using Input Mode 258
- Enabling VENUE Link 258
- S3L System Guide264 259
- Using VENUE Link 260
- Track Names 261
- Snapshot 262
- “Events.” 263
- Part VIII: Specifications and 265
- Troubleshooting 265
- 14.3 in 267
- S3L System Guide280 272
- S3L System Guide282 274
- S3L System Guide284 276
- Input Signal Flow Diagram 279
- Output Signal Flow Diagram 280
- Chapter 29: Troubleshooting 281
- Startup and Restarts 282
- Warning Dialogs 283
- Performing a Soft Reset 284
- Hardware Monitoring Window 284
- Resetting Hardware Components 285
- Utility Mode 285
- Resetting the Plug-In Racks 285
- Reinstalling Plug-Ins 286
- Updating Firmware 287
- Part IX: Reference 288
- GPI Input Specifications 289
- GPI Output Specifications 289
- GPI Connector Pin Assignments 289
- GPI Input Examples 290
- GPI Output Examples 290
- Ground reference needed 291
- Installing ECx Host Software 292
- To update ECx: 293
- Overview of ECx Setup and 294
- Setting IP Addresses 295
- Network Preferences window 296
- S3L System Guide310 297
- Automatically 298
- Mac Client 299
- Windows Client 300
- Enabling Remote Operation 301
- Disconnecting ECx 301
- Password 301
- E3 engine Top Panel 302
- S3L System Guide316 303
- Appendix B: Compliance 304
- Korean EMC Regulations 305
- Numerics 306
- S3L System Guide320 307
- Index 321 308
- S3L System Guide322 309
- Index 323 310
- S3L System Guide324 311
- Index 325 312
- Technical Support (USA) 313
- Product Information 313
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